La Haine is a powerful example of French cinema shot in its entirety in black and white. The story follows three young men and the time they spent in a French 'ghetto'. I personally found this film a great source of inspiration and intend to emulate some of the fluid camera work that Kassovitz demonstrates. There are frequent examples of 'dutch tilts' and unconventional camera angles, couple with smooth dolly and crane shots that give the film a dynamic and energetic feel; a style that should suit our film perfectly.
Friday, 10 May 2013
Inspiration
To prepare myself for the shoot, Brock has asked me to watch La Haine and in order to gain a better understanding of the feel and aesthetic style he wishes to achieve.
La Haine is a powerful example of French cinema shot in its entirety in black and white. The story follows three young men and the time they spent in a French 'ghetto'. I personally found this film a great source of inspiration and intend to emulate some of the fluid camera work that Kassovitz demonstrates. There are frequent examples of 'dutch tilts' and unconventional camera angles, couple with smooth dolly and crane shots that give the film a dynamic and energetic feel; a style that should suit our film perfectly.
La Haine is a powerful example of French cinema shot in its entirety in black and white. The story follows three young men and the time they spent in a French 'ghetto'. I personally found this film a great source of inspiration and intend to emulate some of the fluid camera work that Kassovitz demonstrates. There are frequent examples of 'dutch tilts' and unconventional camera angles, couple with smooth dolly and crane shots that give the film a dynamic and energetic feel; a style that should suit our film perfectly.
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